Poem published in Fearless

page 8 of the newest issue

Fearless Poetry ‘zine # 67

Reality of flesh and chair

Patterns of organic energy on a sub-atomic level

not ruled by cause and effect-

by looking we change the outcome.

Change is inherent in observing.  The closer

we look the less precise we become.

Light bumps against flesh, moves backward

to mark where flesh was.

I try to define the reality of flesh and chairs,

become distracted by the buzz and bounce.

Newtonian physics.  Einstein’s theories on relativity.

The more we try to comprehend the less they have meaning.

The theory of everything implies that we don’t exist.

The chair is new today but the wood is ancient.

Light bounces from tree to retina and I say chair,

but chair is nothing more than an artificial construct,

an approximation of a limited mind’s effort to name a reality

seeming to exist.  Our orbits exceed experience of finite flesh.

By merely looking I have changed chair.

A non-existent mover makes me think tree.

I am lost in a forest of holes that leads me nowhere.

Out of nothing, everything.

Out of dying flesh, I find never ending,

the most vast nothing,

free of who I was.

Free of flesh.

Free of table.

Free of chair.

Free of words

 

 

 

Nothing is never nothing published in Setu

Setu is a bilingual Hindi and English monthly journal of of Pittsburgh. This poem and two others were included 8n a special issue called Western Voices, selected by guest editor, Scott Thomas Outlar.

 

Re post

poetry from the frontera

Nothing is never nothing

A message

written for a bottle with no ocean

The body atremble, the mouth a desert

Sirens so far away but still the jaws grind

Not even the dogs know what dogs always know

Hands thrust into what becomes a salivating mouth

Birds fall, frozen, from the sky to unyielding ground

Words without meaning

Ask the women, they all will tell you

An utterance shuts out objective meaning

Oxygen sucks the life out of a lying mouth

Not even the shadow knits truth from facts

The first page missing, the first line begins

. . . but that was long after Night arose from nothing

Chaos,

Dark void of space

counter-intuitively comprising Earth, Wind,

Water, and Fire, the gods both spirit and being,

but their answers illusory, begging the question

Something from nothing, they say

yet nothing was ever made of something

Chaos,

the first something…

View original post 196 more words

Nothing is never nothing published in Setu

Nothing is never nothing

A message

written for a bottle with no ocean

The body atremble, the mouth a desert

Sirens so far away but still the jaws grind

Not even the dogs know what dogs always know

Hands thrust into what becomes a salivating mouth

Birds fall, frozen, from the sky to unyielding ground

Words without meaning

Ask the women, they all will tell you

An utterance shuts out objective meaning

Oxygen sucks the life out of a lying mouth

Not even the shadow knits truth from facts

The first page missing, the first line begins

. . . but that was long after Night arose from nothing

Chaos,

Dark void of space

counter-intuitively comprising Earth, Wind,

Water, and Fire, the gods both spirit and being,

but their answers illusory, begging the question

Something from nothing, they say

yet nothing was ever made of something

Chaos,

the first something from which gods appeared,

and from them, everything in the known world

A vacuum that yielded only luminous flashes

yet gave birth to Night and her brother, Darkness

And when Night and Darkness coupled, Night

gave birth to Light and Day, Sleep and Death

Time killed Space, his father

Night, hidden away in her cave, made oracles,

listened to drums, the raucous timpani, the tzils,

the celestial bodies’ thrum, as her daughter judged,

moving the universe in the rhythms of ecstatic dance

Time dreamed, prophesied the future, drunk on honey,

oblivious to Retribution that chained him within Night’s cave

A blank book

no longer wholly incomplete

Ink now scratched over ruled lines

filled with fragments, a two-lane highway

Leaves plucked from a boll of cotton

A vignette of tin roofs and stucco shacks

A stalk of bronze maize braided to the dusty green

An artist’s eye

no better than that of a witness in a court of law

Each untrustworthy as the basis for a just outcome

The mere act of observation will change the observed

Time lies incognizant of retribution yet prophesying still

With neither bottle nor letter, the world spins in a lonely sea

https://www.setumag.com/2019/02/western-voices-donna-snyder.html?m=1

 

My poem Dead Hands published at This is Poetry

This is Poetry
a project of The Literary Underground

theliteraryunderground.org

Dead  hands

Dead  hands

The dead reach out across the desert,
burned like bricks by the enemy sun.
Beyond the corpses,
a litter of bottles emptied of life
makes a trail to the border with its gaudy signs.

Down the highway,
a panel truck hides its contraband behind a locked door.
Inside the odor of bodies warns the night sky
to open its arms to death’s bounty.

The desert stretches,
a merciless sea of boiled blood waiting for the coming sun.

Only the desperate
believe the lies of the coyote.
(Coyote tricked the Holy Ones out of their fire
and gave it to the People along with this scorched earth.)

Somewhere the names of workers are written
like beads between fingers.

Somewhere fields still and quiet
wait for dead hands to harvest poisoned fruit.

 

“Dead hands” was first published in Chrysalis and later in Unlikely Stories 2.0 and Poemas ante el Catafalco: Grief and Renewal (Chimbarazu Press)

 

My poem Him all Jack Kerouac and shit published at This is Poetry

This is Poetry

a project of The Literary Underground

http://theliteraryunderground.org/

Him all Jack Kerouac and shit

Him all Jack Kerouac and shit

him all Jack Keroac and shit
his biography an artist’s cliche
oh he told a good anecdote yes
took her to his garrett to see the view
she let him dry her with skin and lips
all happy in the moment he kissed her hair

her all this is only just for now you know
an ephemeral spring so drink up fast
when it ended she hardly noticed lost
so was she in grief for pretty words
mirror shards piled like minnowy regrets
all caught up in the moment she almost knew

“Him all Jack Kerouac and shit” was previously published in I Am South (Virgogray Press).

My poem I am South published at This is Poetry

I am South

I am South

Once there were women who made many kings
by taking their mates
The tacit memory of them inhabits me
like stones left to mark my way
Blood of northern tribes undeniably runs
through my body
My hair is reddish and my skin pale
with caramel flecks
But I am South

Gravity pulled me from north to south
to find some truer self
South is where I learned to swallow
Pablo Neruda like rum
Where time stretches out like a bus trip
in exotic lands
And South is where I both swear and sweat
in Spanish
There is antiquity here everywhere
and I have become part of it
Inscrutable past etched across desertscapes
like ghost buttes
The scattered detritus of other lives lived
and other loves
Effulgent planes and circles circling out
through time and space
like ephemeral water

The humid kiss of desert stones
I am South

 

an earlier version of “I am South” was previously published inI Am South (Virgogray Press).

Wombwell Rainbow Interviews: Donna Snyder

via Wombwell Rainbow Interviews: Donna Snyder

 

Excerpt:

What would you say to someone who asked you “How do you become a writer?”

Read good writers. Read bad writers. Read every day. Write good stuff and bad stuff. Write whether or not you’re in the mood. Buy journals and other people’s books. Go to readings at least once a month. Submit to journals and anthologies. Cast your bread upon the waters; support other writers and independent publishers.