song of a cane flute by Donna J. Snyder in I Am Not a Silent Poet

Source: song of a cane flute by Donna J. Snyder published at I Am Not a Silent Poet

…we are the children of bridges, bridges made from our backs, our tears, our sacrifices,
and from all the ones who never made it across with us…. Junot Díaz

low tones solid as her father’s sweet bread
high notes sing the vibrato of son jarocho
of a woman near tears but speaking still
words deep within the memory of cells

the cells are theirs
the lengua is theirs not mine
I can’t presume to speak their truth
yet their indomitable vigor lifts me up
fills with me with a sense of solidarity
a feeling of common purpose
and feelings need not be truth
but are still facts

the strength of la gente bears me up
out of the inundation of hate
their strength through persecution
through the suppression of truth
their unbroken backs carry me
across the chasm seen between us
a bridge between fear and resolution
inspiring me to be a revolution
this bridge called their backs

when I slip and fall I see shoulders and arms
rise up from where knocked to the ground
and those hands reach out to steady me
stand me on my own feet and take my hand
the gift of strength from one heart to another
a kind word from one tongue to another
the gift of memories not mine but shared

like the voice of a cane flute
calling out to the stars

 

Read at the Librotraficantes event in El Paso, Texas on June 22, 2017

The back of the book. . . Susan Hawthorne

Susan Hawthorne’s comment on the back of The Tongue Has Its Secrets

“Here is a poet who tongues the language of birds, delves into the minds of sybils, explores connections with animals. She tests the boundaries of nothingness and somethingness. Donna Snyder’s poems are like Nüshu: secrets cast skywards like a cipher for those who know, to read.”

– Susan Hawthorne, poet and author of Lupa and Lamb

 

cover art

My Red Fez review of new book by Tamara Albanna

https://www.redfez.net/redfez/embed/workembed.php?p=undefined&i=undefined   Read on Red Fez | Read Later

The cruelest month by Donna Snyder

The cruelest month
In memory of Jesús Guzmán
April winds rage in with a renegade posse of dust,
weather’s bad boys intent on stealing a body’s air.
And one cruel April, Jesús was killed on Easter Monday.
Day after resurrection Sunday, he fell from Jacob’s Ladder.
It was the sudden stop that killed him.
Undoubtedly ¡Ay cabrón! frozen on his lips when he hit the ground,
a tiny blood red rose quivering alone in the wind-blasted dirt.
Jesús killed, an angel fallen from the heavens.
Declared dead on the scene, mad scientists shocked him
until his heart resumed its beat, like all fallen angels
determined to return to lost paradise.
Declared dead at the scene on Easter Monday.
Declared dead in ICU on Tuesday afternoon.
Then on the third day they took away his tubes and wires,
and his heart beat for another hour.

He fought Miss Death until they declared him dead
all over again.
No resurrection,
except in the memories of children he taught to be poets,
or the minds of workers who crossed the borders
from there to here.
He crossed over from this life to the next one,
neither from here nor from over there.
And the mesas crashed onto the freeway like waves.
The spring night bled teardrops like falling stars
because he’s still cheated of air.
Cheated of words.
Cheated of life.
The world cheated of him and his corazón, too soon.
Jesús was killed on Easter Monday and Tuesday and Wednesday.
His heart tan fuerte it took three times to kill him.

His death scene punctuated by the street’s beat
and the lullabies of the bereft.
Now the world is so cold and lonely in April,
when the winds carry the spirits of dead vatos to remind us
just how cruel a month can really be.

Published in Poemas ante el Catafalco: Grief and Renewal (Chimbarazu Press, New York 2014)

(Poem) Compassion goddess hears the cries of the world and descends to help those in need by Donna Snyder

I came here on the back of an extinct crane Its slender neck Wings fierce and gilded with the feathers of the north wind I heard the needs of the people and the tormented world I fled the other pla…

Source: (Poem) Compassion goddess hears the cries of the world and descends to help those in need by Donna Snyder

 

donna-snyder-crane-goddess

Review of The Tongue Has Its Secrets

Michael R. Wyatt’s review in the El Paso Times

BOOKS

Review: New poetry by Donna Snyder

Michael R. Wyatt, Special to the Times

“The Tongue Has Its Secrets” by Donna Snyder

 

El Paso performance poet and human rights activist Donna Snyder has published a new book of her poetry, “The Tongue Has Its Secrets” (NeoPoiesis Press).

The slender volume holds some very powerful imagery and might be thought of as setting forth Snyder’s ontological theory of poetry. After all, Snyder is a poet, and what is poetry but the deliberate revelation of secrets held by the tongue? And, closer to home, what proof is there that a poet exists, but for this revealed poetry, and what the poetry reveals?

The book contains 57 poems, equally divided between three parts. The first poem, “The tongue has its secrets,” precedes Part 1 and is in the nature of a foreword. In it,  Snyder begins to lay the foundation for the universe she later develops.

Her deity is conceptually female: “Praise Her in five songs.” Her creation myth begins with a thought, which requires the tongue to express it; until told, it is just a secret. And her existence of the self is mouthwateringly sexual: “The spurt of the mother / a creamy desecration of the dark.” And, as is true in most maternalistic ontologies, she expressly acknowledges the cycles of life: “Out of devastation new growth green as a jungle / A verdant blanket.”

To set forth such a vibrant and vivid world-view in a mere 30 lines of text on the first page of her new book demonstrates the power of Snyder’s mental and expressive capacity, as well as the tenacity of her work ethic.Snyder, a lawyer by profession, an activist by inclination and a poet by compulsion, has an extensive list of published work to her credit, including “Poemas ante el Catafalco: Grief and Renewal” (2014 Chimbarazu Press), a lamentation in three parts commemorating the lives, and untimely deaths, of three men central to her life. The three parts of her new book are not as clearly delineated, although one can sense a flowing movement from themes of Nature to Voice to Prayer. Throughout each movement, the Tongue, as a necessary component of the voice that guards the Secrets, and as a sexual organ, provides a constant point of reference.

In the first movement, Snyder introduces the Corn Maiden, one of numerous mother-gods she invokes, and draws out for the reader an explicit connection between Nature, sexuality, and the thoughtful, deliberate act of creation. In “Masa on the tongue,” she writes:

I want to feed on Corn Maiden’s flesh

caramelized in the embrace of mother earth

let it melt on the tongue like agave nectar

rain in the mouth of years to come

Other goddesses featured in this work include Dea Tacita, Ixchel, Mother Crow, Epona and Oshun. The reader may be excused for an occasional Wikipedia break.

This also holds true for Snyder’s references to her non-deified muses, which include various fauna of the Southwest (mariposa, colibri, jaguar, eagle, coyote, deer, bear, serpent); a couple literary lights (Walt Whitman, Gertrude Stein); and a deep well of half-hidden languages women have invented to share their secrets in plain sight (Lingua Ignota, Nu Shu poets and the so-called “Venus of Willendorf”). In each case, the poet invokes the muse to give voice to the secrets of the tongue, and thereby creates her world.

Snyder’s keen social awareness also requires her to express alarm. Somebody has killed the muse of Juárez, severed the tongues, silenced the girls, left a dead stone: “Nothing but the sound of blackbirds cawing, / crying out in grief.” And her concern reaches beyond the femicides of Juárez to the planet herself. This collection contains a series of contemplations on the environmental degradation man has wrought, which include “Bitter poison of history denied”; “Earth Day”; “The Sunday news”; and “Agua de mi sierra madre(TM).”

But the poet remains sanguine, both in spirit and flesh tone. In “Struggling with fragile” she expresses her conviction, in a most personal fashion, that spilled blood signifies life to come: “bones of the broken moon turn verdant / flesh and sinew become roaming beasts / spilled blood becomes life. …” The moon “quivers / calls forth the waters to flood and surge / makes the blood rush forth between the legs / the fragile moon / her body broken / her bones and body become life.”

And even though life is but a long wait to die (in “Carmine”), the poet concludes with a prayer (“Supplication”) in which she asks that particular “great and beneficient energy flow” to cleanse her soul, heal and protect her, and restore her vitality.

In the morning, feed me honey with fresh yogurt,

and mint or sage tea at noon.

In the evening, stroke me

with the peacock feathers

of your benevolence.

In the afternoon, love evokes remembrance, and in “Minnow slip of the finger” the artist’s sexuality drips from the page: “humidity sudden in the desert heat / monsoon season of the wet country …,” where “a beard of thorns waits to be trimmed / the ruby flash of tuna / anticipation of eager teeth / dripping sweet.”

In the end, she is prepared to ululate! The reader may be forgiven for discerning a secret meaning from the text, and for allowing the Tongue to suss it out.

Michael R. Wyatt is an assistant El Paso County attorney and has practiced law in El Paso for 28 years.

 

Make plans

What: Poet Donna Snyder will read from “The Tongue Has Its Secrets” during a BorderSenses-sponsored book release event. The event also will include an all-ages open mic.

When: 8 p.m. Saturday

Where: The Rock House Cafe and Gallery, 400 W. Overland.

How much: No cover charge.

Information: Snyder, 328-5484 or donnajosnyder@gmail.com, or Richie D. Marrufo, facebook.com/BWOMS.